Going through my old MySpace list, I realized how different
my taste in music has become through the years. I started off with Miley Cyrus
and The Jonas Brothers, and now listen to a whole new brand of music known as
“indie”. It seems to be the choice of a
new generation- A generation which I come from. I slowly found myself moving
away from the sugar pop music and more towards the “alternative/alt-rock”
bands, which were still pretty mainstream but had a sort of electric weirdness
to them covered in noisy out-of-tune synthesizers. Coldplay, for example. Their
songs like “Charlie Brown” and “Violet Hill” are examples of somewhat
unconventional music coming from a popular band.
Earlier before, “indie rock” was the proud successor of
“punk rock”. It was defined to oppose the music that was made to appeal to the
masses. It was for people who were fed up with what they heard on their TV and
radio. However soon enough, we saw bands like Sonic Youth and Joy Division go
commercial. Many of these underground bands started signing with major record
labels. Indie had expanded its territory and somewhat dropped its image of ‘weird’ and became more common. The
definition of "indie" remains constantly in flux. Are bands on
independent labels the only ones righteous enough to have a illicit claim to the "indie"
spirit? Or is indie an aesthetic that belongs to any artist who is willing to
be creative or showcase their idiosyncrasies, without caring about the
commercial success?
I feel as though anything that can be described as ‘quirky’
or ‘quaint’ now comes under the indie umbrella, and there are more things under
it than it can actually take. As indie enters the second decade of the 21st
century, its definition has never been less clear. Hipsters that see their
favorite bands appearing on popular late night shows and treacherous label
signings experience a lot of hurt. On various social networks (i.e Tumblr)
I see them lashing out and talking about the good old days of a band before it
became mainstream. It seems hard for people
to digest that there can be an in-between. I love listening to Ariel Pink, John
Maus, Mac DeMarco and other such not so popular indie artists. But I can’t like
listening to Beyonce or Adele without being judged for crossing the other side,
even if it is for a little while.
There seems to be a sense of betrayal in all
of this; the movement that had begun to defy conventional pop/rock now seems to
become it.
By: Sana Ahmad
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